Throughout his career, director Steve James has excelled in taking person stories of struggles (in many forms) and conveying them in a relatable, but no les...
It’s hard to imagine Literally, Right Before Aaron existing without The Graduate as a template. Ryan Eggold’s lame-brained paint-by-numbers romantic comedy reli...
“I’m gonna make some weird shit.”
So says Peter Quill a.k.a. Star Lord a.k.a. not-Han-Solo (Chris Pratt) two thirds into Guardians of the Galaxy Vol. 2, and ...
Opening with a voice-over explaining how a recent University of Toronto graduate went from surveying supermarket clerks about display placements to a becoming a...
Set in an familiar and ambiguous time and place (mid-90s in anytown USA), Super Dark Times functions as a kind of trojan house until its twist. Delivering horro...
Early in Afterimage avant garde artist Władysław Strzemiński sits huddled in a cramped apartment painting. When his only light source is blocked by the red of a...
To cap off the Tribeca Film Festival, there were two legendary reunions this weekend. On Friday, Quentin Tarantino and the cast of Reservoir Dogs appeared ...
Perhaps not all films are suited for the Duplass brothers treatment. Take Me, an amateurish directorial debut from actor Pat Healy, working from a script by Mik...
There’s a moment late in Camilla Hall’s Copwatch when a rare officer of color from the Ferguson Police Department engages a group of copwatchers, a term used fo...
