Fitting their preoccupations with contemporary Europe’s working class, the latest from Belgian’s preeminent filmmaking duo, Jean-Pierre and Luc Dardenne, seeks ...
The work of Jim Thompson has had a healthy life on screen, ranging from adaptations in America (The Getaway, The Grifters, The Killer Inside Me) and beyond,...
So much of what we do in our lives comes down to a matter of could versus should. Many of us want to prove ourselves worthy by doing something nobody has ever d...
As a life-long appreciator of Atom Egoyan–trust me on this one–Guest of Honour is one of his stranger pictures veering occasionally into the territory of dark c...
One of two films to premiere at Sundance Film Festival this year that starred both Naomi Watts and Kelvin Harrison Jr. (along with Luce), The Wolf Hour find...
One of the most astounding contributions to cinema is the Qatsi trilogy, which comes from director Godfrey Reggio and is scored by Philip Glass. Created ove...
Is there such a thing as “A24 horror” now? I had that thought watching Rose Glass’ debut feature Saint Maud. It feels indebted to some of the distributor’s titl...
Arriving about two years after a series of revelations brought to public predatory behavior that’s been at the core of the film industry since its inception, Ki...
The next decade has a bright start. Fox Searchlight has confirmed they will be releasing Wes Anderson's star-studded new film The French Dispatch in 2020, as we...
