In a unanimous decision by the Cannes 2019 jury headed up by Alejandro González Iñárritu, Bong Joon-ho was awarded the Palme d'Or for his new thriller Paras...
Professional football (or soccer, if it pleases) has never really lent its wonders to the big screen. Lacking the glitz of North America's more popular team spo...
Cannes’s competition slate closes with Sibyl, an alluring but ultimately throwaway erotic thriller, an arthouse-inflected French potboiler starring Virginie Efi...
Basements are a recurring motif in the cinema of Bong Joon-ho. From the tunnels running below the apartment building of Barking Dogs Never Bite (2000), to the t...
Brutal and bludgeoning, David Yarovesky's Brightburn is a film designed to knock the breath from your chest and subvert expectations. An alien infant crash-land...
Richard Shepard’s taunting, genre-bending The Perfection is tailor-made for Netflix. That’s not meant as a derogatory statement about the platform’s “Originals...
The phrase a "white, white day" refers to a moment when the landscape and sky are so dense with snow, mist or fog that it is no longer clear where the two meet....
As filmmakers spend all-nighters in the editing suite in order to submit their latest work in time for festival premieres, it's no surprise that during the ...
