Like an extended episode of Black Mirror but without a dark sense of humor or bleak horror, The Circle wails about how technology is affecting society with litt...
His upcoming film won't be the only directorial work we'll see from Paul Thomas Anderson this year. After creating three music videos for Radiohead last yea...
It's taken ten years, but Secretary director Steven Shainberg has finally followed-up Fur: An Imaginary Portrait of Diane Arbus. The result is Rupture, a body h...
When a film is labeled as being a marriage drama, it is usually without question that it will contain some aspect of infidelity, and while The Lovers indeed beg...
After bringing one of the year's best films so far to Berlinale with On the Beach at Night Alone, Hong Sang-soo is returning to Cannes with not only his sec...
Destined to be one of the year’s most provocative releases, April Mullen’s Below Her Mouth is an erotic tour de force of uninhibited filmmaking exploring the na...
Around the release of Gone Girl, I recall someone asking David Fincher why he wanted to adapt a pulpy best-seller instead of perhaps a more original project...
For seventeen years, fans of M. Night Shyamalan’s Unbreakable have wished for a sequel to the moody superhero drama. Now it looks like the filmmaker is maki...
Faith-based cinema is as diverse a genre as there is, from the extreme, often violent portraits of devotion from established directors like Martin Scorsese and ...
The news of Jonathan Demme's death, while remarkably sad, has had at least one positive effect: across the film world and on social media we've seen an outp...
