Just because writer/director Kevin McMullin's debut feature Low Tide centers on a trio of locals stuck in a New Jersey banks vacation town and forced to watch r...
Growing up in a Catholic country where we were instructed to say our prayers each night before going to sleep, I always found myself dreading the moment when I ...
After being in the works for over a decade, Martin Scorsese's The Irishman finally premiered at the 57th New York Film Festival on Friday. Following the p...
It’s a critical cliché to describe a filmmaker’s late-period output as elegiac, nostalgic, or any other adjective that suggests an aging artist grappling with t...
When a filmmaker is well-known for reiterating certain narratives or themes, perhaps even having a specific character reappear to embody such ideas, unfamiliar ...
In First Cow, Kelly Reichardt carves out space for friendship and generosity amidst an otherwise selfish landscape. Set in the 1820s Pacific Northwest, a famili...
Director Jim Mickle is no stranger to genre filmmaking. He’s made films about cannibals, vampires, and psychopaths, and won plenty of fans along the way with We Are What We Are, Stake Land, and Cold in July. ...
